Jumat, 29 November 2013

[P339.Ebook] Download Ebook Language and the Market (Language and Globalization)From Palgrave Macmillan

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Language and the Market (Language and Globalization)From Palgrave Macmillan

By examining market-driven practices in a range of individual contexts this interdisciplinary collection offers an in-depth examination of the relationship between languages and market processes.

  • Sales Rank: #6110660 in Books
  • Published on: 2010-05-15
  • Released on: 2010-05-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.72" h x .86" w x 5.75" l, 1.00 pounds
  • Binding: Hardcover
  • 286 pages

About the Author
CLAIRE COWIE is Lecturer in Linguistics and English Language, University of Edinburgh, UK DANIEL CUNLIFFE is a Senior Lecturer in Multimedia Computing and leads the Computing and Minority Languages Group within the Faculty of Advanced Technology at the University of Glamorgan, UK LOULOU EDELMAN is at the Centre for Language and Communication, University of Amsterdam, The Netherlands BETSY E. EVANS is an Assistant Professor of Linguistics, Department of Linguistics, University of Washington, Seattle, USA POUL ERIK FLYVHOLM JØRGENSEN is Associate Professor, Centre for Corporate Communication, Aarhus School of Business, University of Aarhus, Denmark DURK GORTER is Ikerbasque Research Professor, Faculty of Education, University of the Basque Country, San Sebastian, Spain BRITT-LOUISE GUNNARSSON holds the Chair in Sociolinguistics, Uppsala University, Sweden MANEL HERAT is a Lecturer in English Language and Linguistics, Liverpool Hope University, UK SUZANNE K. HILGENDORF is Associate Professor of Linguistics, Simon Fraser University, Canada MARIA ISAKSSON is Associate Professor, Norwegian School of Management, Norway GAVIN JACK is Reader in Culture and Consumption at the School of Management, University of Leicester, UK VERONIKA KOLLER is Senior Lecturer in English Language, Department of Linguistics and English Language, Lancaster University, UK SIRPA LEPPÄNEN is Professor of English, Department of Languages, University of Jyväskylä, Finland BEATRIZ P. LORENTE is a Lecturer in the Language and Communication Centre, School of Humanities and Social Sciences, Nanyang Technological University, Singapore ELIZABETH MARTIN is Assistant Professor of French, Department of World Languages and Literatures, California State University, San Bernardino, USA LINDA McLOUGHLIN is pathway leader in English Language and Linguistics, Liverpool Hope University, UK HEIKO MOTSCHENBACHER is Postdoctoral Research Assistant, Linguistics Department, Institute of English and American Studies, Frankfurt University, Germany NICH PEARSON (retired) was the Director of the Welsh Consumer Council until 2007 SARI PIETIKÄINEN is a Professor of Discourse Studies, Department of Languages, University of Jyväskylä, Finland SARAH RICHARDS is a Senior Policy Officer at the Welsh Consumer Council JAMIE SHINHEE LEE is Assistant Professor of Linguistics, University of Michigan-Dearborn, USA JOHN WALSH is Lecturer in the School of Irish, National University of Ireland, Galway, Republic of Ireland

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Selasa, 26 November 2013

[H251.Ebook] Ebook BEN HARPER AND RELENTLESS7 - WHITE LIES FOR DARK TIMES (Recorded Versions Guitar), by Ben Harper

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Investing the spare time by reviewing BEN HARPER AND RELENTLESS7 - WHITE LIES FOR DARK TIMES (Recorded Versions Guitar), By Ben Harper could offer such wonderful experience even you are just sitting on your chair in the workplace or in your bed. It will certainly not curse your time. This BEN HARPER AND RELENTLESS7 - WHITE LIES FOR DARK TIMES (Recorded Versions Guitar), By Ben Harper will assist you to have more valuable time while taking rest. It is quite enjoyable when at the midday, with a cup of coffee or tea and also a publication BEN HARPER AND RELENTLESS7 - WHITE LIES FOR DARK TIMES (Recorded Versions Guitar), By Ben Harper in your device or computer system screen. By delighting in the sights around, here you can start checking out.

BEN HARPER AND RELENTLESS7 - WHITE LIES FOR DARK TIMES (Recorded Versions Guitar), by Ben Harper

(Guitar Recorded Versions). Here's our matching folio for the debut album from Ben Harper and Relentless7 that Rolling Stone calls "an 11-song set soaked with hard rock and the deep Delta blues." Features notes & tab for all 11 raw and rocking, haunting and emotional songs, including the singles "Fly One Time" and "Shimmer and Shine."

  • Sales Rank: #4557084 in Books
  • Brand: Brand: Hal Leonard
  • Published on: 2009-10-01
  • Released on: 2009-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .35" w x 9.00" l, .95 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
great and the only tab/chord book for this album.
By R2ni2
love this song book. if you love this album and want to play it on a guitar, get this book. i am allready playing "faithfully" remain with no problem.

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[T639.Ebook] Free PDF Musical Acoustics, 3rd Edition, by Donald E. Hall

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Musical Acoustics, 3rd Edition, by Donald E. Hall

Musical acoustics presents a unique opportunity to see science and art working together. This book is a balanced presentation of all aspects of musical acoustics. It explains how our ears and brains interpret musical events, and connects traditional physical analyses to musical reality. The purpose of the book is two fold: (1) To help students use simple physical concepts as tools for understanding how music works, and (2) To use students' interest in music to motivate the study and appreciation of scientific methods. Any given chapter will challenge students with several points that are not obvious on the first reading. Starred sections are optional and are not a prerequisite to later sections.

  • Sales Rank: #404854 in Books
  • Brand: Brooks Cole
  • Published on: 2001-08-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 7.75" w x .75" l, 2.03 pounds
  • Binding: Hardcover
  • 480 pages

Review
1. THE NATURE OF SOUND. Acoustics and Music. Organizing Our Study of Sound. The Physical Nature of Sound. The Speed of Sound. Pressure and Sound Amplitude. 2. WAVES AND VIBRATIONS. The Time Element in Sound. Waveforms. Functional Relations. Simple Harmonic Oscillation. Work, Energy, and Resonance. 3. SOURCES OF SOUND. Classifying Sound Sources. Percussion Instruments. String Instruments. Wind Instruments. Source Size. Sound from the Natural Environment. 4. SOUND PROPAGATION. Reflection and Refraction. Diffraction. Outdoor Music. The Doppler Effect. Interference and Beats. 5. SOUND INTENSITY AND ITS MEASUREMENT. Amplitude, Energy, and Intensity. Sound Level and the Decibel Scale. The Inverse-Square Law. Environmental Noise. Combined Sound Levels and Interference. 6. THE HUMAN EAR AND ITS RESPONSE. The Mechanism of the Human Ear. Limits of Audibility and Discrimination. Characteristics of Steady Single Tones. Loudness and Intensity. Pitch and Frequency. Pitch and Loudness Together. Timbre and Instrument Recognition. 7. ELEMENTAL INGREDIENTS OF MUSIC. Organizing Musical Events in Time. Melody and Harmony. Scales and Intervals. The Harmonic Series. 8. SOUND SPECTRA AND ELECTRONIC SYNTHESIS. Prototype Steady Tones. Periodic Waves and Fourier Spectra. Modulated Tones. Electronic and Computer Music. 9. PERCUSSION INSTRUMENTS AND NATURAL MODES. Searching for Simplicity. Coupled Pendulums. Natural Modes and Their Frequencies. Tuning Forks and Xylophone Bars. Drums, Cymbals, and Bells. Striking Points and Vibration Recipes. Damped Vibrations. 10. PIANO AND GUITAR STRINGS. Natural Modes of a Thin String. Vibration Recipes for Plucked Strings. Vibration Recipes for the Piano. Piano Scaling and Tuning. 11. THE BOWED STRING. Violin Construction. Bowing and String Vibrations. Resonance. Sound Radiation from String Instruments. 12. BLOWN PIPES AND FLUTES. Air Column Vibrations. Fluid Jets and Edgetones. Organ Flue Pipes. Organ Registration and Design. Fingerholes and Recorders. The Transverse Flute. 13. BLOWN REED INSTRUMENTS. Organ Reed Pipes. The Reed Woodwinds. The Brass Family. Playable Notes and Harmonic Spectra. Radiation. 14. THE HUMAN VOICE. The Vocal Apparatus. Sound Production. Formants. Special Characteristics of the Singing Voice. 15. ROOM ACOUSTICS. General Criteria for Room Acoustics. Reverberation Time. Reverberation Calculation. Reverberant Sound Levels. Sound Reinforcement. Spatial Perception. 16. SOUND REPRODUCTION. Electric and Magnetic Concepts. Transducers. Microphones. Amplifiers. Recording. Loudspeakers. Multiphonic Sound Reproduction. 17. THE EAR REVISITED. Types of Pitch Judgment. Pitch Perception Mechanisms. Modern Pitch Perception Theory. Critical Bands. Combination Tones. Loudness and Masking. Timbre. 18. HARMONIC INTERVALS AND TUNING. Interval Perception. Intervals and the Harmonic Series. Musical Scales. The Impossibility of Perfect Tuning. Tuning and Temperament. 19. STRUCTURE IN MUSIC. Melodies and Modes. Chords and Harmonic Progressions. Consonance and Dissonance. Musical Forms and Styles. 20. EPILOGUE: SCIENCE AND ESTHETICS. APPENDIX A. WRITTEN MUSIC. APPENDIX B. THE METRIC SYSTEM. Units for Physical Measurements. Scientific Notation and Computation. APPENDIX G. GLOSSARY. APPENDIX H. HINTS AND ANSWERS TO SELECTED EXERCISES. Index. The Chromatic Scale; The Chromatic Series Slider.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Great starting point for studying the intersection of science and sound
By calvinnme
This book is an excellent starting place for someone who wants a somewhat quantitative treatment of the science of sound as it relates to music, but does not have the advanced math background necessary to digest something like "The Physics of Musical Instruments". The chapters and sections in this third edition are the same as in the previous edition, however some changes have been made to the content. The book is updated with more current references to the end-of-chapter bibliographies, and there is some new material, especially in areas affected by the personal computer's role in the digital processing of sound.

The author provides an integrated understanding of three major areas: the production of sound by various sources, the propagation of sound from source to listener, and the perception of sound by the human brain.

For easier reading, each chapter starts with an introductory section that sets up the chapter. There are also summaries and lists of symbols, terms, and relations highlighting the most important terms and quantitative expressions in each chapter. There are realistic and interesting exercise sets containing both qualitative and quantitative questions for each chapter, with most chapters containing 20-25 exercises. There are also projects included that provide out-of-class assignments that generally require students to do research. There are approximately three of these in each chapter. Finally, several new photographs have been added to this third edition, particularly of the inner ear structure and of the vocal cords in motion.

Like the previous reviewer, I make a habit of purchasing and reading several textbooks a year, and sometimes I am very disappointed and sometimes I am not. This is one of those purchases that I found most worthwhile. If you are interested in the intersection of math, acoustics, perception, and musical instruments I highly recommend it. A math background up to the level of algebra and geometry should be sufficient to understand the quantitative portions of the book. The table of contents is as follows:

1. THE NATURE OF SOUND.

Acoustics and Music. Organizing Our Study of Sound. The Physical Nature of Sound. The Speed of Sound. Pressure and Sound Amplitude.

2. WAVES AND VIBRATIONS.

The Time Element in Sound. Waveforms. Functional Relations. Simple Harmonic Oscillation. Work, Energy, and Resonance.

3. SOURCES OF SOUND.

Classifying Sound Sources. Percussion Instruments. String Instruments. Wind Instruments. Source Size. Sound from the Natural Environment.

4. SOUND PROPAGATION.

Reflection and Refraction. Diffraction. Outdoor Music. The Doppler Effect. Interference and Beats.

5. SOUND INTENSITY AND ITS MEASUREMENT.

Amplitude, Energy, and Intensity. Sound Level and the Decibel Scale. The Inverse-Square Law. Environmental Noise. Combined Sound Levels and Interference.

6. THE HUMAN EAR AND ITS RESPONSE.

The Mechanism of the Human Ear. Limits of Audibility and Discrimination. Characteristics of Steady Single Tones. Loudness and Intensity. Pitch and Frequency. Pitch and Loudness Together. Timbre and Instrument Recognition.

7. ELEMENTAL INGREDIENTS OF MUSIC.

Organizing Musical Events in Time. Melody and Harmony. Scales and Intervals. The Harmonic Series.

8. SOUND SPECTRA AND ELECTRONIC SYNTHESIS.

Prototype Steady Tones. Periodic Waves and Fourier Spectra. Modulated Tones. Electronic and Computer Music.

9. PERCUSSION INSTRUMENTS AND NATURAL MODES.

Searching for Simplicity. Coupled Pendulums. Natural Modes and Their Frequencies. Tuning Forks and Xylophone Bars. Drums, Cymbals, and Bells. Striking Points and Vibration Recipes. Damped Vibrations.

10. PIANO AND GUITAR STRINGS.

Natural Modes of a Thin String. Vibration Recipes for Plucked Strings. Vibration Recipes for the Piano. Piano Scaling and Tuning.

11. THE BOWED STRING.

Violin Construction. Bowing and String Vibrations. Resonance. Sound Radiation from String Instruments.

12. BLOWN PIPES AND FLUTES.

Air Column Vibrations. Fluid Jets and Edgetones. Organ Flue Pipes. Organ Registration and Design. Fingerholes and Recorders. The Transverse Flute.

13. BLOWN REED INSTRUMENTS.

Organ Reed Pipes. The Reed Woodwinds. The Brass Family. Playable Notes and Harmonic Spectra. Radiation.

14. THE HUMAN VOICE.

The Vocal Apparatus. Sound Production. Formants. Special Characteristics of the Singing Voice.

15. ROOM ACOUSTICS.

General Criteria for Room Acoustics. Reverberation Time. Reverberation Calculation. Reverberant Sound Levels. Sound Reinforcement. Spatial Perception.

16. SOUND REPRODUCTION.

Electric and Magnetic Concepts. Transducers. Microphones. Amplifiers. Recording. Loudspeakers. Multiphonic Sound Reproduction.

17. THE EAR REVISITED.

Types of Pitch Judgment. Pitch Perception Mechanisms. Modern Pitch Perception Theory. Critical Bands. Combination Tones. Loudness and Masking. Timbre.

18. HARMONIC INTERVALS AND TUNING.

Interval Perception. Intervals and the Harmonic Series. Musical Scales. The Impossibility of Perfect Tuning. Tuning and Temperament.

19. STRUCTURE IN MUSIC.

Melodies and Modes. Chords and Harmonic Progressions. Consonance and Dissonance. Musical Forms and Styles.

20. EPILOGUE: SCIENCE AND ESTHETICS.

APPENDIX A. WRITTEN MUSIC.

APPENDIX B. THE METRIC SYSTEM.

Units for Physical Measurements. Scientific Notation and Computation.

APPENDIX G. GLOSSARY.

APPENDIX H. HINTS AND ANSWERS TO SELECTED EXERCISES.

Index.

The Chromatic Scale; The Chromatic Series Slider.

0 of 0 people found the following review helpful.
Delivered on time
By Amazon Customer
It is what is said on the description above

22 of 22 people found the following review helpful.
Fascinating
By Amazon Customer
This book is a thorough overview of physics behind music. In the first part of the book, Hall lays the foundation with an investigation into waves, sound propagation, sound measurement, and the human ear. The middle third of the book takes up families of instruments, and how they work to create musical sounds. The last part of the book investigates room acoustics, sound reproduction, and the perception of intervals, tunings, and musical structure. Each chapter includes references and suggestions for further reading, numerous mathematical exercises for practicing the concepts covered in the chapter, and a list of potential projects for further investigation. The book includes a glossary and answers to selected problems, as well as an index.
I read quite a few textbooks for work and occasionally just for interest's sake, but this one really stands out. After reading the first few chapters, I found myself wishing I could sit in on Hall's lectures. His style is intensely personal, and his explanations are incredibly clear. I'll admit that sometimes my eyes glossed over while slogging through some of the numbers and charts, but it was mainly my fault for not being a more active reader. In order to get the most from this book, you really need to read it with calculator in hand, or better yet, an Excel spreadsheet open, ready to try out the numbers and scenarios that Hall provides us with. Nevertheless, the math is kept quite simple- -no calculus; if you can do algebra, you should be able to get through the book.
I've found the information in the book to be quite useful. Hall's description of how resonance works in drums has helped me make sense of my tabla teacher's pickiness about where my fingers strike the tabla heads. And at last I understand the physics behind why some rooms in my house are acoustically dead, and others are alive. Hall has opened up a new world of ideas for me, and I will be thinking them through for years to come. I would recommend this book to anyone who wants to know how music really works.

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Jumat, 22 November 2013

[S851.Ebook] PDF Download Halo: The Art of Building Worlds, by Titan Books

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Halo: The Art of Building Worlds, by Titan Books

Charting the glorious decade that spans Halo: Combat Evolved to Halo: Reach, Halo: The Great Journey is a lavish and spectacular review of ten years of groundbreaking game art brought together in one place as never before. 

Halo: The Great Journey is the ultimate gallery of the Halo universe - from characters to weapons and much more; with sketches and concept art by acclaimed artists such as Ashley Wood, the detailed interiors and sweeping landscapes of Alex Chu, and Frank Capezzuto's breathtaking spacescapes. 

In addition there is art from Halo: Legends - the anime DVD - book covers, comic pages, marketing images and more; plus an introduction from "the face of Halo," Frank O'Connor. 

A celebration of visual splendor - from the Spartans themselves to the breathtaking vistas of dawn breaking on an alien world - Halo: The Great Journey is dramatic, grandiose and utterly awesome.

  • Sales Rank: #206982 in Books
  • Brand: Robinson, Martin/ O'Connor, Frank (FRW)
  • Published on: 2011-10-18
  • Released on: 2011-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.09" h x .88" w x 9.36" l, 2.89 pounds
  • Binding: Hardcover
  • 192 pages

Review
"Totally breath-taking." - io9

"This is a book that deserves huge recognition. Not only is the subject matter one of the most important gaming franchises to ever hit our machines, it also has life, colour and soul bouncing from every page combined with words from people that have lived and breathed Halo. It’s a book that could grace any shelf or coffee table and become a talking point. In fact it’s worth buying a coffee table just for this book." - This Is Xbox

"Halo: The Art of Building Worlds is simply magnificent in production and content. Even this reviewer, who is not a fan of the series, cannot help but be blown away by the sheer beauty of this book." - Square Go

"A compelling visual tour of this extraordinary universe." - School Library Journal

"Simply put, this book is a must have for every Halo fan." - The Daily Blam

"...a breathtaking window into the creation of one of gaming’s most imaginative universes. With a near perfect blend of expansive art pieces, rich backstory, and entertaining anecdotes, the book is a worthy tribute to Microsoft’s juggernaut franchise." - Piki Geek

"If you're any kind of Halo fan, it's an absolute treat and an essential must have." - CVG

"A glorious celebration of Halo." - Xboxer 360

"...the kind of art book that you can get lost in..." - SciFi Mafia

"A brilliantly compiled graphic history." - Gamer Wok

About the Author
Martin Robinson is an award-winning gaming journalist.

Most helpful customer reviews

29 of 29 people found the following review helpful.
Scope of Halo is too much for just one book
By Parka
[[VIDEOID:mo28KUCPMS8BZ4R]]When I first realise that another Halo art book is coming out, I was wondering what they are going to put inside.

Turns out this art book is sort of a look back at Halo from the art. That's looking back at 10 years of Halo, which really needs a few books to be comprehensive. So this book tries to cover in its 192 pages, Halo: Combat Evolved, Halo 2, Halo 3, Halo: ODST, Halo: Wars, Halo: Legends and Halo: Reach. Seven titles if you're counting.

The art is grouped in chapters that look at the environment, the enemies, vehicles, alien beings, the good guys, Master Chief and homeworlds.

The art is beautiful. There are sketches and also huge paintings. Some are development art, some made it to final. Selected bits are featured so you only get snippets of information, bits and pieces of the whole Halo story. There isn't much duplication compared to other art books because the book shows new art and is made up of stuff that were left out in other books.

Because of the immense scope of Halo, this book is a bit underwhelming even though the art is spectacular. Something in my mind keeps telling me there's more. If you've seen Halo Encyclopedia, you know that there's a whole lot more.

If you want to check out more Halo art, you can look for The Art of Halo: Creating A Virtual World, The Art of Halo 3: Prima Official Art Book (incredibly rare), Halo: Reach Legendary Edition Guide (Brady Games Cover image may Vary) (art section at the back) and Halo Encyclopedia (the ultimate reference).

(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

8 of 8 people found the following review helpful.
Not quite what I'd hoped for, but worth a purchase.
By R. Southen
I really enjoy this book, but it's not the be-all and end-all tome of Halo art they'd have you think. It's not a bad book by any means, it has a ton of great work in it, but coming from all of the other Halo books out there that feature art, I felt like this was a bit scattershot, more or less a grab bag of content. My biggest issue is that in an attempt to touch on as many facets of the entire franchise as it can, it leaves a lot of stones unturned and isn't very comprehensive.

Other books such as the Art of Halo, (which features Halo and Halo 2), the Art of Halo 3, the Halo Graphic Novel art section, the art section in the limited edition Halo: Reach strategy guide, and even the Halo Encyclopedia, tend to do a better job or show off the better work.

It's definitely worth a purchase, especially for Halo fans, but I regard it more as supplementary content than anything else. If you want to take a look at what I think is a perfect artbook in terms of layout and content, check out the Art of District 9. That's 160 pages for ONE film, versus 190 pages for the whole of the Halo franchise, IE 6 games and other content. Hard to do Halo justice in so few pages in my opinion, but it's a worthy attempt.

4 of 4 people found the following review helpful.
A great art book for any fan
By Scottypiper
So I didn't actually purchase this book. I won it from a YouTube contest and the book is signed by Frank O'Connor (Former Content Manager at Bungie who joined Microsoft and became the Creative Director for 343 Industries). I have played every Halo game to date, including Halo 1-3, Reach, ODST, and Wars. I'm a huge fan of the series and can't wait for Halo 4 and the Reclaimer trilogy. Hopefully even a Halo movie. This book is 192 pages.

This is my first art book so here is my perspective. Playing every game in the Halo series, I really didn't know or understand how concept art and sketches start and what processes the creative teams use to make them come to life. I have a new perspective on what goes into making characters, weapons, vehicles, planets, aliens, etc. basically everything that is in a game.

This book shows everything from the Halo series. When I say everything, I mean original sketches all the way to their evolved and final forms. Art from every game up to Halo Reach. Master Chief, Cortana, The Flood, The Covenant forces including grunts, brutes, elites, hunters and jackals, vehicles including the Warthog, Tank, and Covenant vehicles, all weapons and armor, ships including the Pillar of Autumn, and all world settings including Reach, Ring World, Earth, etc.

While I am sure there are more extensive art books for Halo (including the Halo encyclopedia), this book is very detailed and the images are truly vivid. If you are a fan of Halo or into the conceptual art in video games, this book is for you.

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Kamis, 14 November 2013

[L604.Ebook] Get Free Ebook The Uk Financial System : Theory and Practice: Theory and Practice, by M. Buckle, John L. Thompson, M. United Kingdom Financial System in

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The Uk Financial System : Theory and Practice: Theory and Practice, by M. Buckle, John L. Thompson, M.  United Kingdom Financial System in

A comprehensive explanation of the way in which the financial system of the United Kingdom works, and discussion of issues raised by extensive changes to the system. This text provides both the institutional structure and the economic theory behind the financial systems. The 17 chapters each take one aspect of financial systems as its theme and then provides, through sub-sections, a comprehensive analysis of the various concerns of that area. Opening chapters provide an introduction to financial systems and a consideration of flow of funds accounting. Other chapters cover financial institutions; financial markets, including the equity and bond markets, the sterling and Euro-security markets, foreign exchange and financial futures markets; management of risk; the single European Market; efficiency of the United Kingdom financial system; and prudential regulation.

  • Sales Rank: #14671861 in Books
  • Published on: 1996-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 1.25" l,
  • Binding: Paperback
  • 336 pages

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Senin, 11 November 2013

[B502.Ebook] PDF Ebook Atlas Shrugged Abridged; 12 hours o Edition

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Will be shipped from US. Brand new copy.

  • Sales Rank: #1050333 in Books
  • Binding: Audio CD

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2 of 2 people found the following review helpful.
and I feel the abridged recording is perfectly fine. I'm just and an average Joe and not ...
By vitotheiceman
It's important to realize this is Abridged. I did not now it when I bought it. I checked the book out and read the book at the same time I was listening to it an the way to work, and I feel the abridged recording is perfectly fine. I'm just and an average Joe and not a literary critic so I'm not certain everyone would agree. If you have always wanted to see what Ann R's books are about but are put off by the raw volume to text, this is a great opportunity.

2 of 2 people found the following review helpful.
Poorly edited audio
By Matt
As advertised the audio book is abridged. However, the recording is very sloppily edited. All throughout the 12 disk set the reader is cut off mid sentence which I found to be very irritating and dramatically reduced my enjoyment of the story. I realize the book is long and had to be shortened for audio, but seriously they can't find a way to edit this professionally?

2 of 2 people found the following review helpful.
Atlas Shrugged
By Nothyme2waste
Quick delivery good seller but it was difficult to know when CD was finished and time to insert next one. It just repeats in a loop until you eject , with no sound notification for end of CD. This is fault of manufacturer not seller.

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Minggu, 10 November 2013

[O833.Ebook] Download Ebook My Mother's Sons: Managing Sexuality in Islamic and Christian Communities, by Patrick Krayer

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My Mother's Sons provides a thoughtful model for how Western Christian workers can respectfully negotiate sexual boundaries and norms in Muslim contexts. Westerners are inclined to impose their own culturally shaped notions of gender equality and justice on non-egalitarian communities, alienating the very people they are seeking to serve. The author draws on his own research among Pakistani Pashtuns, intercultural theory, and exegesis of Christian and Islamic sacred texts to show that it is possible to work for transformational change without offending those who live within a patriarchal system.

  • Sales Rank: #2815601 in Books
  • Published on: 2013-09-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 6.00" w x .75" l, .96 pounds
  • Binding: Paperback
  • 290 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Insights into Muslim and Christian cultures based on understanding Genesis and Paul
By Daniel Easley
How do men and women relate to each other in Peshawar, Pakistan – a culture informed by Islam? How is that similar and yet different from how men and women related to each other in first century Roman culture? How did the Apostle Paul incorporate aspects of the first century culture into worship, and yet move the culture toward a decreased power distance between men and women – a new Christian culture in which a wife was expected to wear a veil in the church, and yet she could pray and prophecy in the church? Patrick Krayer draws on his decades of living in Peshawar Pakistan, combined with a thorough understanding of Paul’s writing, to suggest ways that cross-cultural workers can be sensitive to the culture, and yet challenge the culture at its core to come to a place of less power distance and greater interpersonal trust.

It is easy to be blind to how our own culture causes us to interpret scripture, and to assume that the way we do things is “the right way.” This book helped me to view scripture and my own culture through the lens of a different culture. Patrick’s exegesis of 1 Corinthians was particularly memorable to me in showing the parallelism of Paul’s instructions to men and women. His exegesis of the other Pauline passages dealing with the relationship between men and women seem both more culturally sensitive and yet transformative than other commentaries I have read on this subject.

This book is tough to read because of the depth of research behind it. The footnotes are extensive (and optional for the more casual reader). But it is well worth the effort. This book should be required reading for anyone from a Western culture working in an Islamic context, or for anyone seeking a deeper understanding of the Pauline teachings regarding the relationship between men and women.

4 of 4 people found the following review helpful.
Very informative and thought provoking
By Kenneth C Cline
Patrick Krayer provides the reader some fascinating insights into Pashtun culture and the nature and application of Purdah . . . and much more.

1 of 1 people found the following review helpful.
Wonderfully insightful.
By Jonathan
Krayer does a phenomenal job covering the anthropological and theological aspects of sexuality within Christian and Islamic contexts. Easy and helpful read and resource for the cross-cultural worker!

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Jumat, 08 November 2013

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In a Different Key: The Story of Autism, by John Donvan, Caren Zucker

In a Different Key: The Story of Autism, by John Donvan, Caren Zucker



In a Different Key: The Story of Autism, by John Donvan, Caren Zucker

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In a Different Key: The Story of Autism, by John Donvan, Caren Zucker

An extraordinary narrative history of autism: the riveting story of parents fighting for their children ’s civil rights; of doctors struggling to define autism; of ingenuity, self-advocacy, and profound social change

Nearly seventy-five years ago, Donald Triplett of Forest, Mississippi, became the first child diagnosed with autism. Beginning with his family’s odyssey, In a Different Key tells the extraordinary story of this often misunderstood condition, and of the civil rights battles waged by the families of those who have it. Unfolding over decades, it is a beautifully rendered history of ordinary people determined to secure a place in the world for those with autism—by liberating children from dank institutions, campaigning for their right to go to school, challenging expert opinion on what it means to have autism, and persuading society to accept those who are different. 

It is the story of women like Ruth Sullivan, who rebelled against a medical establishment that blamed cold and rejecting “refrigerator mothers” for causing autism; and of fathers who pushed scientists to dig harder for treatments. Many others played starring roles too: doctors like Leo Kanner, who pioneered our understanding of autism; lawyers like Tom Gilhool, who took the families’ battle for education to the courtroom; scientists who sparred over how to treat autism; and those with autism, like Temple Grandin, Alex Plank, and Ari Ne’eman, who explained their inner worlds and championed the philosophy of neurodiversity.

This is also a story of fierce controversies—from the question of whether there is truly an autism “epidemic,” and whether vaccines played a part in it; to scandals involving “facilitated communication,” one of many treatments that have proved to be blind alleys; to stark disagreements about whether scientists should pursue a cure for autism. There are dark turns too: we learn about experimenters feeding LSD to children with autism, or shocking them with electricity to change their behavior; and the authors reveal compelling evidence that Hans Asperger, discoverer of the syndrome named after him, participated in the Nazi program that consigned disabled children to death.

By turns intimate and panoramic, In a Different Key takes us on a journey from an era when families were shamed and children were condemned to institutions to one in which a cadre of people with autism push not simply for inclusion, but for a new understanding of autism: as difference rather than disability.

  • Sales Rank: #62278 in Books
  • Published on: 2016-01-19
  • Released on: 2016-01-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.90" w x 6.50" l, 1.25 pounds
  • Binding: Hardcover
  • 688 pages

Review
A New York Times Bestseller
A New York Times Editors' Choice

“Magnificent...Spellbinding—a fable about greed, power and betrayal told through the lens of autism...Chock-full of suspense and hairpin turns...This book does what no other on autism has done: capture all the slippery, bewildering and deceptive aspects...I have been the mother of an autistic son since 1988...I wept and laughed and raged while reading In a Different Key, all the while thinking, Yes! This is my experience, including the raw and dirty parts, but also the wonder and joy.”
–ANN BAUER, WASHINGTON POST

“Remarkable… In a Different Key: The Story of Autism tells a riveting tale about how a seemingly rare childhood disorder became a salient fixture in our cultural landscape. It features vivid portraits of people with autism and their devoted parents and recounts dramatic controversies among well-intentioned and occasionally misguided advocates and doctors who have tried to help those with the condition. These gripping personal stories give the book tremendous narrative drive.”
–WALL STREET JOURNAL

"The prose is vivid, the tempo rapid and the perspective intimate, as if each character has been filmed with a hand-held camera."
–JEROME GROOPMAN, NEW YORK TIMES BOOK REVIEW

“In a Different Key is a story about autism as it has passed through largely American institutions, shaped not only by psychiatrists and psychologists but by parents, schools, politicians, and lawyers. It shows how, in turn, the condition acquired a powerful capacity both to change those institutions and to challenge our notions of what is pathological and what is normal.”
—STEVEN SHAPIN, NEW YORKER

“This is not a how-to guide or a polemic on neurodiversity. The book probes a difficult subject with intelligence and compassion—and makes you think. The complete absence of hysteria will make it essential reading for many... its insights and quiet wisdom demand our attention, and gratitude.”
—AMY BLOOM; O, THE OPRAH MAGAZINE

“In a Different Key is nothing if not judicious and fair-minded in its approach to a field harried by controversies and enmities from the very start… [the book] is grounded and sensible, which in the contentious world of autism activism constitutes a kind of grace.”
—LAURA MILLER, SLATE

“The authors have captured the art of storytelling and the book therefore has a broad appeal, beyond those directly involved or affected by autism… Comprehensive and illuminating… From cover to cover this book stirs up a combination of emotions. Admiration for the parents that took a stand; incredulity at treatments and assumptions; and gratitude to scientists and activists that dedicate their expertise and devote their energy to making people with autism spectrum disorder feel part of a world that appears to fear nonconformity to what is considered normal… You must read this book.”
—THE LANCET

"A fascinating history of science, treatment, and civil rights."
—NEWSDAY

“A fascinating history of this confounding condition.”
—PEOPLE

“A fascinating and comprehensive history told from a personal perspective… In a Different Key shares the often debilitating aspects of autism yet shows how those with autism can and do flourish with the right supports and environments, and how their lives, and the lives of their families, are filled with joys and triumphs and fun and irreverence, too.”
—CHICAGO TRIBUNE

“Fascinating… A 560-page history of autism sounds intimidating, but fear not. In a Different Key… takes an accessible approach that sheds much light on this human condition... through the human stories of those raising autistic children, of those trying to treat, study and research it and those who are autistic.”
—SEATTLE TIMES

“In this compelling, well-researched book, the authors weave together the heroic search by parents for treatment and services for their children with the personal stories of a fascinating cast of characters. An invaluable guide for those dealing with autism and an inspiring affirmation of every individual’s contribution to 'the fabric of humanity.'”
—KIRKUS (starred)

“Donvan and Zucker’s tremendous study keeps autism at its center while telling an extraordinary tale of social change... Viewed as a whole, the narrative ultimately reveals a transition from an emphasis on treating individual cases to a more society-wide effort for advocacy and inclusion—an effort that this book will do much to advance.”
—PUBLISHERS WEEKLY

“In a Different Key is almost as much a history of coping with ignorance and uncertainty as it is a voyage of discovery... It is the great achievement of this book to show how this happened in an exciting and poignant way.”
—SUNDAY TIMES

"Sweeping in scope but with intimate personal stories, this is a deeply moving book about the history, science, and human drama of autism. It's also something larger: a fascinating exploration of a social movement that grappled with the mysteries of mind, behavior, and the relationship between parents and children."
—WALTER ISAACSON, author of The Innovators and Steve Jobs

“Donvan and Zucker’s generous yet sharp-eyed portraits of men, women, and children—most of them unknown until now—make it stunningly clear that we all have a stake in the story of autism. We come to understand that we are all wired differently, and that how we treat those who are different than most is a telling measure of who we truly are. This is the kind of history that not only informs but enlarges the spirit.”
—SUSAN CAIN, author of Quiet: The Power of Introverts in a World That Can't Stop Talking

“In this long-awaited work, Donvan and Zucker sensitively and accurately portray the emergence of understanding of this thing we now call autism, a story that goes back hundreds of years. They make a compelling case for autistic traits—gift and disability alike—being part of the human condition. In the words of child psychiatry pioneer Leo Kanner, autism was ‘always there,’ even before the diagnosis was invented. In a Different Key also provides a fresh take on the issue of neurodiversity in all its complexity.” 
—JOHN ELDER ROBISON, author of Look Me in the Eye and Switched On

“In this absorbing book, John Donvan and Caren Zucker provide a comprehensive history of autism: identifying records that point toward the existence of the condition long before it was named; unpacking the evolution of the diagnosis; chronicling the history of blame attached to it; and narrating its explosion as one of the most common syndromes among children today. Fast-paced and far-reaching, this book contextualizes the arguments that autism is a horrifying epidemic with those that say it is a valuable aspect of human diversity. This is an important missing piece to the conversation about autism; no one trying to make sense of the spectrum should do so without reading this book.”
—ANDREW SOLOMON, author of Far from the Tree 

“In a Different Key transports the reader back to the earlier days of autism. It is essential reading for anyone who is interested in how society treats those who are different.” 
—TEMPLE GRANDIN, author of Thinking in Pictures and The Autistic Brain

"In a Different Key is filled with gripping personal histories that powerfully illustrate the mistakes and malpractices in the diagnosis and treatment of autism; the courage and resilience of those who fought for better treatment and deeper understanding; and the sheer variability of people who are given the autism label and too often lumped together as ‘disabled.’ A fascinating and revealing read, even for those with no personal connection to the topic.”
—STEPHANIE COONTZ, author of The Way We Never Were: American Families and the Nostalgia Trap

"Bravo to Donvan and brava to Zucker. Comically/tragically, autism's history is as emotionally dysfunctional—and as beautiful—as it gets. Finally, we all have an exhaustive reckoning."
—MICHAEL JOHN CARLEY, founder, GRASP; author of Asperger's From the Inside Out

"Donvan and Zucker delve deep into both the science and the politics of autism across time. They tell the story of the extreme treatments that have been tried, such as administering LSD or electric shocks in the ‘60s, to ‘normalize’ these children. They uncover the tragic ‘mercy killing’ of a teenager with autism by his father, and explore the MMR vaccine-causes-autism theory, named by TIME magazine as top of the list of ‘great science frauds.’ This book will make a remarkable contribution to the history of autism."
—SIMON BARON-COHEN, author of The Essential Difference; Director, Autism Research Centre, Cambridge University

“Autism is a shape changer that has continuously resisted being pinned down. This meticulously researched book leads us deeply into the history of autism and brings to life the colourful personalities and conflicting ideas that deepen the fascination of autism.”
—UTA FRITH, Emeritus Professor of Cognitive Development at University College London
 
“Autism remains one of the great medical mysteries of our time and this is the first book to fully document the decades of efforts by parents, doctors and society to deal with it—so far. For, as the authors say, this is a story that is far from over. In A Different Key is a monumental piece of journalism that promises to be a classic, a comprehensive baseline for evidence only future research can reveal. It is written with clarity and grace, and with heart, because the authors have both lived with autism in their own families.”
—ROBERT MACNEIL, former anchor and co-founder of PBS NewsHour

“This one volume captures the textured and sometimes turbulent story of autism in all of its facets: as a scholarly and scientific endeavor, as a political and legal enterprise, as a social movement. Most especially it embeds these developments within stories of people whose lives defined and shaped the course of autism. In a Different Key is authoritative and utterly absorbing.”
—JUDITH FAVELL, past president, Developmental Disabilities Division, American Psychological Association

About the Author
JOHN DONVAN is a multiple Emmy Award-winning correspondent for ABC and the moderator of the Intelligence Squared U.S. debate series. Find him on Twitter at @johndonvan. CAREN ZUCKER is a Peabody award-winning television news producer, a twenty-five-year veteran of ABC News, and producer and co-writer of the six-part PBS series “Autism Now.”

Excerpt. © Reprinted by permission. All rights reserved.
9780307985675|excerpt

Donvan / IN A DIFFERENT KEY

1

Donald

In 1935, five Canadian baby girls, all sisters, edged out Niagara Falls on the list of Canada’s most popular tourist draws. That year, up to six thousand visitors each day took Route 11 into far northern Ontario for the sole purpose of gawking at the babies. By order of the provincial government, they had recently been removed from the care of their farmer parents, to be raised instead in a hurriedly built “hospital” situated not far from the family farmhouse. There they would have indoor plumbing, electricity, and a “scientific” upbringing overseen by a full-­time doctor and two full-­time nurses.

Three times a day, on cue, the girls were carried out to a grass-­covered “play area” just a few yards from where a crowd waited for them. The audience was packed into a specially designed viewing arcade, tented and fitted with one-­way screens so that the girls could never see who was making all the noise. Invariably, the moment they came into view, a warm sigh would float aloft, followed by coos, squeals, and scattered applause at the sight of history’s first surviving identical quintuplets, who had been given only hours to live the night they were born, in May of the previous year.

Exotic by virtue of their genetic rarity, the Dionne quintuplets imprinted themselves indelibly on their generation. They were a matched set, yet unmatched in the example they set of human resilience, the most famous children on earth. The future queen of England would visit them. Mae West, Clark Gable, and Bette Davis all made the trip north. So did Amelia Earhart, six weeks before her final flight, not to mention thousands of ordinary families on vacation.

All were transfixed, but never, apparently, troubled by the bizarreness, even cruelty, of the arrangement—­the girls’ separation from their parents and from other children, their confinement in a setting they were allowed to leave only three times over the course of nine years, their government’s exploitation of a random biological novelty to bring tourist dollars into a depressed province. It was estimated that the public exhibition of the girls, known as Quintland, increased revenues for Ontario by $110 million over those nine years.

The family shared in some of the riches as well. By the time the girls’ father sued successfully to reunite the family, well into World War II, he was driving a Cadillac. Money had also poured in from movie deals, contracts for exclusive interviews, and a series of endorsements that put the girls’ faces in almost every kitchen in America—­on calendars, bottles of Karo syrup, and boxes of Quaker Oats. For years to come, no seasonal ritual came or went—­not Christmas Eve, not Halloween night, not Mother’s Day—­without glowing newspaper and magazine stories catching readers up with the Dionne quints.

It was no surprise that the girls would also mean something to a little boy named Donald, who was growing up in Forest, Mississippi, a small town nearly as rural as theirs. Though only eight months older than them, Donald was already able to recite their names: Emilie, Cecile, Marie, Yvonne, and Annette.

Except that, for Donald, these were not the names of girls. They were colors inside bottles.

“Annette and Cecile make purple,” he would declare as he sketched, handling his set of paint bottles. In a sense, he had it right, insofar as his “Annette” bottle contained blue paint, and “Cecile” held red. But while his color theory was sound, his reaction to the girls was peculiar. Unlike everyone else, Donald was captivated not by the girls’ humanity or the astonishing fact of their survival but by the raw geometry of their sameness. They came in an identical set of five. Just like his bottles. But they were also different, like the paint inside his bottles. It seems to have been this paradox that caught and held his attention.

If it had only been a game he was playing—­some deliberate silli­ness or make-­believe—­then what Donald called his paint bottles would never have mattered much to anyone but himself. Certainly it would not be a story worth telling so many decades later. But he was serious. Blue was Annette and red was Cecile, relentlessly and earnestly, whether Donald was drawing with crayons or talking about a candy cane. He was inflexible about this, and much else besides.

The word “yes,” for example, always had to mean one thing and one thing only: that he wanted to be hoisted up onto his dad’s shoulders. “You” was his fixed way of saying “I,” and vice versa. Some words, like “chrysanthemum,” “business,” and “trumpet vine,” he repeated endlessly, with no decipherable intention. He was once observed staring into empty space, writing letters with his fingers in the air, commenting as he went along, “Semicolon, capital, twelve, twelve, slain slain; I could put a little comma.”

The way he thought about numbers was also unique. When he was seven, an examiner asked him a question from the Binet-­Simon IQ test, as it was then called: “If I were to buy four cents’ worth of candy and give the storekeeper ten cents, how much would I get back?” “I’ll draw a hexagon,” he said in reply. Internally the gears were obviously meshing, but they seemed to slip, critically, when the task was to communicate clearly with others. His was a language of hexagons and chrysanthemums, whether it made sense to others or not.

Indeed, Donald showed scant interest in the inhabitants of the outside world, and that included his parents. Of all his peculiarities, this was the most difficult for them to accept—­that he never ran to his father when he came home from work, and that he almost never cried for his mother. Relatives were unable to engage him, and when Santa showed up one Christmas, in what seems to have been a calculated effort to break through to the little boy, Donald paid him no heed whatsoever.

Seemingly oblivious to the people around him, he would turn violent the instant his activities were interrupted, whether he was sketching words in the air or spinning pot lids on the floor. Over time, it became clear that he was protecting something: sameness. Pure, unadulterated routine. He could not tolerate even the slightest changes to his physical surroundings. Furniture could not be moved, walks outdoors had to retrace exactly steps already taken, and toys had to be arranged precisely as he had left them. Anything out of place would set off wild tantrums.

Of course, this meant Donald had to be able to remember the arrangements of things, and for this he relied on his astounding capacity for recall. He could watch his father put different-­colored beads on a string and then reproduce the pattern without a single glance at the original. He could rebuild a tower of blocks that had been knocked over exactly as it had been, each side of each block facing in its original direction. At the age of two, having easily mastered the alphabet, he immediately learned to recite the letters in reverse. Neither was much of a challenge, since the order never changed, backward or forward.

Odder than each of these behaviors on its own was the fact that they were locked together in a distinct combination of deficits and talents. And yet this constellation of behaviors, which shaped Donald’s personality so comprehensively and dramatically, had no name. For that reason, Donald’s mother drew the only conclusion that made sense to her, relying on the only words she could think of. With regret and sorrow, she wrote a letter in which she confessed that her little boy was “hopelessly insane.” The diagnosis of “autism” had not yet been invented.

Mary Triplett, Donald’s mother, was the one who would change that. She and Donald’s father intended only to get help for their son, but in doing so, they set in motion a chain of events that would culminate in the discovery of autism in Donald, and the publication of the first internationally recognized description of the condition in a medical journal.

But before any of that could happen, Donald’s parents would first have to undo a mistake they had made early and regretted almost immediately. They had to get him back home.

The last time the three of them had been together as a family had been just over a year earlier. They had been driving south out of Forest, a journey of about an hour ahead of them—­two at most. But Donald, not quite four years old in that late summer of 1937, could not have been expected to understand what an hour feels like, much less guess that when the ride ended, his mother and father would disappear from his life altogether.

He was a boy who dreaded riding on or in moving objects. Tricycles provoked in him a mortal terror. He fled from swings. But ensconced between his parents in the front seat of the Buick, Donald could lean against his mother if he wanted to. True, he had never really cried for her, never fixed his gaze on her and shared a moment of tenderness. Not once during this ride would he look up at her and smile, and she knew that.

That was the hardest thing for Mary—­Donald’s utter emotional indifference to her presence. The boy beside her did not seem to care in the slightest whether she caressed or kissed or hugged him. If she were to turn away and face the open window, lost in her own thoughts, he would never cling or whimper to win back her attention. One of the most basic pleasures a parent feels—­that of being loved—­was completely unknown to her, even though the other young mothers in her circle took it for granted. Surely a child’s love for his mother was instinctive, the conventional order of things. And if Mary knew one thing about herself, it was that she’d always been most at home within the boundaries of the conventional, and had done surpassingly well there.

That was not to say that she was average. She had been raised to get the best out of life, with the superb advantage of being born to one of Forest’s leading families, with more money and education than most of those around her. Not that there was much competition. Forest called itself a city, but really it had always been a small rural town. Even after knocking on every door in the community in 1930, census takers hadn’t been able to count more than 3,000 souls. True, there was a lively enough downtown—­a barbershop, a beauty salon, grocery and furniture stores, several churches, a courthouse, a railroad depot, and a public high school that served white children from Forest and surrounding towns.

The dropout rate at the school, however, was always a problem, as it would remain far into the future throughout Mississippi, where poverty, illiteracy, and a shorter-­than-­average life expectancy were the state’s enduring triple curse. Despite the presence of two strong universities in Ole Miss and archrival Mississippi State, as well as a broad talent pool of doctors, lawyers, engineers, newspapermen, and some extraordinary artists and writers, there was a cultural and political inertia—­a resistance to progress, a preference for the traditional ways.

Even when the civil rights movement finally reached Mississippi in the mid-­1960s, upending the status quo, the ferment came more slowly to Scott County, where Forest was located, and where “Negroes” generally had no opportunity to vote. As late as 1957, town elders pressed the Forest High School marching band to open a football game with “Dixie” instead of “The Star Spangled Banner,” which they described as the anthem of an oppressive new order. The school administration complied.

Mary was born a McCravey, granddaughter to J. R. McCravey, a founder of the Bank of Forest, which still operates today. Conservative Presbyterians, the McCraveys had little incentive to upset the social order, but her parents did have more sophisticated aspirations than raising yet another mildly educated Southern belle. They pulled Mary out of public school to send her to a private Presbyterian girls’ school fifty miles away in Jackson. A few years later, still in Jackson, she enrolled in Belhaven College, a school for Christian women.

She did well at Belhaven, where she was named business manager for the yearbook, elected senior class president, and awarded a bachelor’s degree in English. Graduate school was an option, but Mary chose to move directly into teaching, one of the careers most welcoming to the nation’s relatively few college-­educated women. She joined the English department of a public high school that prepared teenagers primarily for the farming life.

The next stage for her, it was clear, would be marriage, followed by motherhood. For the time being, she would keep working, but as with any single woman her age in Forest, her proper ambition during this phase in her life—­which ideally should not run for too long—­was to be courted.

She didn’t have long to wait. Though not beautiful, she had an appealing confidence; her wavy bobbed hair, modest jewelry, and simple dresses signaled that she felt comfortable in her skin. And then, of course, her family owned that bank.

She had more than one suitor but settled finally for a local young man named Oliver Triplett. Known to everyone by his middle name, Beamon, he was the former mayor’s son. He was active with Boy Scouts and regularly taught Sunday school at the Presbyterian church, where his sister was the organist. The unusual thing about Beamon was that he had left home to go north to complete his law studies at Yale, then come home again to open a one-­man practice in a corner office above a storefront facing the county courthouse.

Mary and Beamon exchanged vows on June 19, 1930. She was twenty-­five, and he was twenty-­seven. Donald was born a little more than three years later, on September 8, 1933.

They sensed nothing amiss in the beginning, but then, they had no previous experience to go by. Physically, Donald was perfectly normal; he learned to sit up and walk according to the usual timetable, and even talked a little early. A weathered family album shows a small baby and then a toddler, who does, on occasion, look directly into the camera. In one shot, taken when he was probably not yet one, his gaze appears as intently focused forward as that of his grandfather, on whose right arm he perches. In another, in which he appears to be about two, Donald stands alone in the family garden, his body turned away from the camera, his hands occupied with some sort of toy vehicle. But his face and eyes are turned toward the camera, with a smile that seems aimed at the photographer, as though an instant earlier he had heard his name called, and was now glancing back over his shoulder to see who was there.

The album shows the moments of connection becoming less frequent as Donald gets older. He smiles less, and a discomfort creeps in—­a discomfort in being held, or made to sit still, or compelled to look “natural” with the parents and aunts and grandparents who stand near him in billowing blouses, bow ties, straw hats, and suspenders. In nearly every frame, everyone grins big and focuses their attention on the camera—­everyone but Donald, who peers off in random directions, his bare arms and legs limp.

Mary had to admit to herself that Donald was not “normal,” whatever normal meant. Neither, any longer, was Mary’s life as his mother. All her hours now belonged to Donald, even as he reached an age when children start to become more self-­sufficient. Well into his third year he still could not feed himself, so she was at his side at every meal, handing him the cup, raising the spoon to his mouth, cajoling him to eat. He had no common sense about danger, yet he grew ever more competent at putting himself into dangerous situations. He could figure out the latch on a second-­floor window, for example, or find his way outside and to the middle of the street, yet he was oblivious to the possibility that he might fall out the window or be mowed down by a car. He needed a guardian angel, and his mother filled the position, following him on his mysterious rounds from room to room during all his waking hours.

This required an inexhaustible supply of energy, yet somehow Mary found new ways to keep trying to reverse whatever was wrong with him. She talked to him, although it was always a one-­way conversation. Yet she knew Donald must be hearing her, because he demonstrated an astounding gift for recalling what he had heard. She saw this in 1934 when, around Christmas, she started singing carols in the house. Suddenly Donald, only fifteen months old, began singing them too, word for word. Soon after, he memorized the twenty-­five questions and answers of the Presbyterian catechism.

Mary also dedicated herself to learning her son’s many elaborate rituals. His extreme need for sameness made him violently inflexible about a series of routines of his own invention. Many of these were verbal, such as an incantation at breakfast every morning that went like this:

“Say ‘Eat it or I won’t give you tomatoes, but if I don’t eat it I will give you tomatoes.’ ” It made no obvious sense, but that wasn’t important. If Mary didn’t say the words, exactly as instructed, Donald would scream, every muscle visibly strained in agony. Thus, Mary became his partner in this strange performance, taking on a series of roles that kept her perpetually by his side. In a world teeming with variables, she was the one constant in his life, reliably and relentlessly there.

And so, as the three of them motored south that day on Mississippi 35, perhaps Mary let herself think that her presence next to Donald helped him relax. Perhaps, on a certain level, she was right. Inside the car, she represented the familiar. Everything outside would have hurtled at Donald in a raucous rush of unpredictability—­the very thing that rattled him most. The passing sights and sounds that would go unremarked upon by most of us—­the ugly belch of a tractor churning smoke in a field; a flapping mass of laundry on a clothesline; the unexpected sound of a car radio crackling from the window of an oncoming car; not to mention the rocking and rumble of the car he was in—­would have unfolded in a startling, spontaneous riot, faster than Donald’s mind could make sense of it. It’s easy to imagine him leaning into his mother’s side in the face of this onslaught, not necessarily to get her attention, but because she served as a constant in his life. She was the same as always, exactly how he needed things to be.

But Donald was leaving her, and his father too. The three of them were headed to a little town called Sanatorium, Mississippi, to a facility known as the Preventorium, established in 1930. Located on a small rise, it was a curious statement of a building, unexpectedly handsome and bold among the pines. On its driveway side, six huge white columns supported a high roof, throwing shade over the steps and veranda. Inside, the Preventorium’s rooms and corridors were arranged to replicate the shape of a double crucifix.

The Preventorium housed exclusively white children between the ages of four and eleven, up to fifty at any one time, each committed to the care of the state of Mississippi to reside, parents were promised, “under constant expert medical supervision.” In the most literal sense of the word, these kids were “institutionalized.” Their number would soon increase by one. Since Donald was still only three, the state would be making an exception in taking him, but that had been worked out in advance.

Goodbyes at the Preventorium were managed briskly, with little time for clinging or tears. One child resident of that era, Cecile Snider, recalls that even her mother did not explain why she had been brought to this elegant dormitory that looked vaguely like a red-­walled Greek temple. Cecile was six and had followed her mother trustingly between the two huge white pillars that framed the entrance. Two hours later, when her mother left without her, Cecile did not quite comprehend that she was now on her own and would not see her mother for months. One of the nurses took possession of her prized Shirley Temple doll—­which she would never see again—­and directed her instead to the shelves of communal toys, games, and books. Another nurse took away the clothes and shoes she had worn from home. From then on, she would dress in short white bloomers and a white sleeveless top and go barefoot, like all the children at the Preventorium. This separation would haunt her well into adulthood.

Donald, however, already appeared emotionally separated from his family and anyone else who happened to be around. He had a habit, any time he entered a new setting, of ignoring any people present and making straight for whatever inanimate objects might catch his eye: paper clips or seat cushions or an ashtray—­especially anything that could be set spinning. Wholly engaged by these new objects, Donald would have missed the mood of the moment, not seen the tension in his parents’ eyes as they knelt down for their final goodbye. If anything, he might have been slightly irritated by the interruption.

Mary and Beamon watched the nurse take Donald by the hand and lead him down the hall, where there was a uniform waiting for him, still crisp from the laundry. Then they turned away, passing once again through the pillars out front, and headed for the car. There could not have been much to say on the long ride home.

Most helpful customer reviews

33 of 40 people found the following review helpful.
Superb telling of a complicated story.
By J. Lesley
It would be difficult for me to give this incredible accumulation of information any rating other than five stars. Autism has only touched my family in ways which haven't helped me understand what it truly entailed. One of my daughters is a school teacher and the other works with juveniles involved in the court system so I've heard their experiences with children with autism and yet even that didn't give me the full background I was searching for. This book does.

Taking on the story of autism has to have been a daunting experience for John Donvan and Caren Zucker because, as shown by the facts in this book, the facts have been a long time in getting to the knowledge we have today about the condition. Simply reading this book requires a commitment from the reader because even though it is well presented, it is still not an easy story to tell. Beginning in the 1930s and continuing to the present I found out the history of autism itself while still not understanding exactly what it is. That single element in the way this story is told gave me just a tiny glimpse into how frustrated and bewildered parents must have been to see their child exhibit signs of something being profoundly wrong. We tend to expect medical miracles to be pulled out of hats. Not only were there no miracles for families with autistic children but there were also very vew people who were trying to find answers to questions concerning the disorder.

One of the things most impressive to me was the decision of the authors to keep the autism story centered on people instead of making it about statistics and numbers and graphs and charts. Often those elements have a tendency to dehumanize whatever subject is being discussed. With The Story of Autism you will always be reading about those with the diagnosis, about the parents, about the doctors, about the activists, or about the researchers. And even if numbers and statistics come into play in the telling of the story it is usually to show you how misleading and unhelpful those very numbers and statistics can be. Something which came in very handy for me is the timeline for autism which is included in the back of the book. This story is one that necessarily moves backward and forward in time constantly, turning and twisting upon itself in order to explain why a pronouncement was considered so important and how a conclusion was reached. After reading this book I feel I have a very fair representation of the condition called autism and where this story stands today. Where it will go tomorrow, I don't know.

17 of 21 people found the following review helpful.
A treasure trove of a book
By Trudie Barreras
There are no superlatives adequate to share my enthusiasm for this treasure trove of a book. Suffice it to say that despite its extreme physical weight – it is comprised of over 650 pages on high-quality paper, a real challenge for my arthritic hands – I was enthralled by every page. The narrative is thorough and detailed, but utterly fascinating. Of those many pages, over 100 of them are devoted to notes, bibliography and index. Although the uncorrected proof provided to me as a reviewer did not have all these references available, it is easy to see from those which WERE provided that this book, besides being intriguing to interested non-academics like me, will be incredibly valuable for the true student of this subject. Also extremely valuable is the “Autism Timeline” the authors provide, which, as they say, is actually two timelines, one of which is made up of political, scientific and other public milestones. The other, in italics, shows the personal milestones in the lives of specific autism-affected families that are profiled in detail in the narrative.

I will admit that I began the somewhat daunting task of reading this book because of personal interest; autism has recently been diagnosed in one of my own young relatives, a grandnephew, and others of my immediate family have exhibited other neurological and learning-deficit-related conditions. As a high school teacher for almost 20 years, I encountered a number of students who might possibly have fit into some of the autism spectrum categories. Also, it is my daily habit to visit the “GreaterGood Network” site, an umbrella charity which includes autism research as one of its component groups. However, despite my interest, I will admit that my knowledge of the nuances of autism was extremely lacking, a deficit which this book has completely eliminated.

In sum, this book does exactly what the title says, and tells a comprehensive story of the development of understanding of the neurological condition known as autism, and does so in a completely coherent and fascinating narrative.

4 of 4 people found the following review helpful.
Must read!
By SpaceMom125
Absolutely awesome book! Everyone should read it. Yes, it tells the story of autism but does so with a historical perspective - the civil rights movement, how our society changed in the decades of the autism debate. Well written and current. Publish date is 2016. Non-fiction but contains all the mystery, tragedy, success, detective story, suspense of any book. You won't be able to put it down. Also makes you consider what happens to those our society labels and not normal, after they grow up and aren't cute kids anymore. Such an incredible story of politics, advances, horrible tragedies, love, dedication. A must read for everyone who is human.

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